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Technology is amazing [24 Jul 2008|03:36am]

kjorteo
Step 1: Get a Wiimote and a Classic controller. Note that Wiimotes sync up with Wiis using Bluetooth, without any special fancy proprietary workarounds beyond that. Just regular old Bluetooth.

Step 2: Get Bluetooth support for your computer. (Newer laptops come with it, USB adapters exist for anything that takes USB...just get it somehow.)

Step 3: Sync your Wiimote up with your computer. It's not any harder to do than one of those Bluetooth laser mice or headsets or anything you're actually supposed to sync up (though some adapters can be more finicky than others--check the list just in case.)

Step 4: Get GlovePIE, an oddly-named program that lets you make keymapping scripts after the controller is detected ("I want up on the D-pad to be W, down to be S....") Even lets you save scripts as random files you can load later, so you can make scripts for every game that won't let you fiddle with its own controls internally and load the ones for whatever you're just about to play.

Step 5: Play Cave Story with a Wii Classic Controller :D :D :D Or NES/SNES ROMs, or...anything, really! Its only weakness is that GlovePIE doesn't seem to be able to handle analog sticks very well (or even at all) just yet, or else this could even do mouse games like Oblivion. I'm told they're working on it, though.


(PS: What Polar Star trade should I make if I'm going for the secret bonus area/boss? Machine Gun seems useful for navigating without the Booster, but the Spur seems like it might help after the evil wind resets your weapon levels...also, Blade or Nemesis?)
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Tweets for Today [23 Jul 2008|05:04pm]

botkiller
  • 20:57 Going to see dark knight WORD
    Brian #
  • 11:40 trying to slap wordpress #
  • 16:30 god I HATE doing taxes #
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lots of shows this weekend [22 Jul 2008|06:28pm]

botkiller
Lots of upcoming shows this weekend:


ThouShaltNot is an industrial/synthpop project on the Dancing Ferret Discs label. Very slamming, should be fun.



I'll be playing with Ken Cornell (Alchemical Burn) for this show, and it is sure to be good fun.



The Venerable MKIO returns, with a killer light show, heavy beats and some serious energy. WORTH YOUR TIME!

Also, this show is at the Agency on Saturday the 26th, if you're not able to make it to Burt's - it's all ages!



Challenge me as hardest working mofo. Do it. I dare ya.
:P
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The Internet never sleeps [22 Jul 2008|04:01am]

kjorteo


(Post title taken from this Spamusement comic, before anyone asks.)
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Tweets for Today [20 Jul 2008|05:05pm]

botkiller

  • 02:32 back from spark_gap. that was... interesting. #

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Acids and Basses and Spark_gap review [20 Jul 2008|12:00pm]

botkiller
On Friday I made it out to Hunab Hookah for a little bit to catch some of The Acids and Basses electro jam, with guest F/M from Santa Fe.  Trippy, Ambient and experimental, quite enjoyable to just sit back and listen to.  F/M consisted of two technicians, Martin Back and Frank Rolla, a lute, two macbooks and a contraption which I will name the "random paddle", a large standing instrument with many wooden paddles jutting from it, and small motors which randomly would cause a hammer mallet to play one of these paddles.  Think Japanese ambient, with some folk rock intertwined.  Acids and Basses, making use of 512 Software's (located right here in Albuquerque) Audio Sequencing software, Numerology, makes ambient soundscapes great for film or just cooling out to.  It's that kind of music that you don't hear in your head until you hear it being played, and then you realize it's always there, you just might not know how to channel it out.  An enjoyable night, followed by one sad bit of news; it is my understanding that Hunab Hookah will be closing at the end of July.  I never got to spend too much time at Hunab outside of Throwing Spark_Gap there for awhile, but I did enjoy the place when I was there.  It's very hard to make a Hookah Lounge last in Albuquerque, I would imagine.

Then, last night, I re-opened Spark_Gap at The Agency, with the intention of continuing its tradition of live electronic jamming and IDM.  Well, it was half there.  We opened the night with a set by I Heart Teo ,  A young DJ from L.A. who has made his way out here, who dropped an hour set of heavy electro, and did very litterally blow me away. Myself and Clint had set up our rigs on stage, and were waiting for some of the other players to come, which unfortunately didn't happen - and so Spark_gap turned essentially into an hour and a half long set from myself with backup by Clint.  It was fun, but it wasn't what I had planned.  I had to have something to give people who came out (about 11 of them, including the ever vigilant Adric, to whom I am eternally grateful), so I thought that it made the most sense to just throw a set.  There was a little jumping around, which was good, but it certainly wasn't an improv electro night. 

So, what would I do differently?  Well, I think I won't have a stage next time.  I don't think it's fitting for spark_gap to have a tall stage, unless I have some featured artists - which is the other thing I'll do differently.  I don't think I can keep the improv jam thing going right now.  If I can't get a consistent number of players out to play (and I'm totally understanding of that, Saturday is also not a good night for something like this), I can't really do an open jam.  So, I think I plan to have one DJ, one featured act, and perhaps anyone who wants to jam, in the next Spark_gap, and play it up as a dance party with some improv jamming.  I'll have to see how it all plays out, I'm still learning with this thing, but I want to keep it going.

I also have to say thanks to Trace for coming out and throwing visuals for the night.  He very literally helped me to make the night 100% better.  Without visuals I really would have felt deeply failed at this outing, but having the bouncing lights on the giant white wall of The Agency really helped out.  Seriously man, thank you.

So, that, as they say, is that.  I wasn't entirely happy with last night, I will say that, but the moral of the story is to look at what you're doing and figure out what you need to do differently.  I'm seeing some of that, so I'm going to work on it, and as with anything, I'm going to take whatever help I can get for it, because I simply can't do all this stuff on my own.
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Tweets for Today [19 Jul 2008|05:05pm]

botkiller
  • 21:40 I"m much better at wearing contacts now, which is good. #
  • 21:41 also blog update: www.brianbotkiller.com - One Day as a Lion reviewed. #
  • 01:20 just back from acids and basses @ Hunab. Nice stuff. #
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Some things should not be remade [18 Jul 2008|05:42pm]

kjorteo
So.... Revival! Eggerland (or "Egger Land" as the actual process calls itself.)

On one hand, it's an Eggerland/Lolo engine in Windows with a construction set, meaning the internet can make its own levels and you will absolutely never run out of game ever again. That's pretty cool.

On the other.... )

Call me a bitter retro enthusiast, but :(

Edit: I have been informed that for the new levels (the ones that aren't just a remake of Lolo 2 as seen above) there's a new available mechanic in mirror/ricochet boxes which, if shot, warp the shot at a 90-degree angle. With the ability to make L-shaped shots, it is now possible to egg Medusas and Don Medusas.

No no no no no, that has never been a part of Lolo, and in fact, most of it used to be built around the fact that Don Medusas can't be egged even if you time and lead the shot and get out of the way so he misses you and you perfectly hit him dead on. Their utter invincibility was key to pretty much every room that ever had them. :(
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One Day as a Lion review [18 Jul 2008|01:41pm]

botkiller
One Day as a Lion is the new side project from Zack De La Rocha, lead singer of Rage Against The Machine.  He's been a bit anti social in the years following the demise (and now recent return) of RATM, but he's got a side project now with Jon Theodore (former Mars Volta).  I'm quite impressed with the sound, being that it's only two guys.  Their Myspace page lists Zack on Keyboards and vocals, and Jon on Drums, but the sound is very much that of RATM, especially from the "Evil Empire" days.  Heavy and political, and that's what I like to hear.  It's about fucking time, is all I can really say.

http://www.myspace.com/onedayasalion

There's only one song right now, "Wild International", driven by a grinding snarl of keyboard hook and dry crunchy drums, with Zack's signature lyrical style on top of it all.  Their debut EP is due out on the 22nd of July, from Anti-Records (the home of Anti-Flag).

I'd suggest listening, especially if you're tired of hearing sappy sweet bullshit all the time (not that I expect you'd be listening to that, but you always run into it no matter what these days). 



----------------
Listening to: Rage Against The Machine - Without A Face
via FoxyTunes    
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Music post [18 Jul 2008|04:59am]

kjorteo
I'm very excited to do today's music post, because it's a song I've actually been wanting to show off for a very long time. I couldn't, though, because it was one of the approximately three songs in the known universe that even YouTube didn't have. It was quite frustrating to have one of my favorites be so elusively out of reach, but I just checked again tonight on a random whim, and there it was! Someone must have uploaded it recently. That was quite nice of them, so I'm going to take advantage of that without hesitation. (And so should you, in case, I don't know, it gets pulled or something.)

There's an effect in songs I like where the chorus, instead of holding a single note, keeps cramming more and more syllables into the same space. I really don't want to say rap, but...well, think what Disturbed likes to do, I guess? Whenever I mention this effect to people, I always want to play this song for people because it does it twice, but as I just said, it's been unavailable until now. Now that you're listening to it, be on the lookout the part that starts with "Don't you see that it's coming, it's near/the wise man screamed in the noble chamber" at approximately 5:00, and the part that starts with "I guide your way, I make you stay alive/My servants taught, you know how to survive" at approximately 8:00.


Artist: Edguy
Album: Mandrake
Song: The Pharaoh
Visuals: Painting on the Wall album cover
(Which is more than a little strange, since The Pharaoh is on Mandrake, not Painting on the Wall. Painting on the Wall is a single from Mandrake that I was just about to nominate for this music post before I saw that they finally had The Pharaoh, but The Pharaoh is absolutely not on the Painting on the Wall EP...oh, whatever.)

Edguy fulfills the "must be from Finland or Germany" requirement for 95% of power metal bands out there by hailing from Fulda, Germany. They got their start at a very young age--they were literally your typical high school (or German equivalent, I suppose) garage band, founded by four classmates at the age of 14, and even took the name "Edguy" from their nickname for their math teacher. Defying both the general quality and odds of achieving success of a typical high school garage band, they landed a record deal three years after their founding, at the average age of 17. Their first two albums were forgettable, but they more or less exploded onto the scene with the out-of-nowhere amazingly good Vain Glory Opera (at age 19,) complete with guest appearances by Blind Guardian's Hansi Kursch and Stratovarius' Timo Tolkki on its title track. (For the record, Vain Glory Opera's title track is amazing enough that I was strongly tempted to feature that here, as well, but the sheer excitement of finally having The Pharaoh in presentable form after all this time won the day.)

New fans attracted by the sheer excellence of Vain Glory Opera and its followup, Theater of Salvation, were curious about their questionable and now out-of-print earlier work, so they took their newfound talent and used it to completely re-record their debut album from scratch, even editing and revamping songs when they had better ideas, and turned Savage Poetry (1995) into The Savage Poetry (note the "The") (2000). After Mandrake and Hellfire Club, they underwent a bit of a genre shift from typical high fantasy epic power metal to an affectionate "'80s hair bands were awesome, let's do that" vibe, turning their Scorpions influence into the more-hard-rock-than-any-sort-of-metal Rocket Ride. As that is their most recent album as of this writeup, whether it was a fluke or if the change is permanent is yet to be seen. However, lead singer Tobias Sammet is also the mastermind behind Avantasia, and comparing their old work (The Metal Opera, both parts) to their new (The Scarecrow) reveals that, at the very least, Rocket Ride alone didn't get all the glam rock out of Sammet's system.

Unrelated trivia: Tobias Sammet has the biggest and most obvious case of extreme hero worship bordering on heterosexual crush toward Michael Kiske the world has ever known. It my personal theory that he got Kiske to agree to appear on all the Avantasia albums (even if he was "Ernie" for one of them) and a Rocket Ride-era EP by showing off pictures of his Michael Kiske shrine, at which point Kiske could no sooner break a heart with that much devotion than he could snub a poor terminal child who asked the Make-A-Wish foundation if he could meet Michael Kiske (and have him appear on his next album.)
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Tweets for Today [17 Jul 2008|05:07pm]

botkiller
  • 17:41 @emilychang what did the resume look like? #
  • 17:42 the red bull music academy is stupid. period. epic fail. lose. if they were a tree, it would have failiage. #
  • 21:27 blog updates: www.brianbotkiller.com #
  • 23:11 looks like veoh might have bit the dust... #
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filmfilmfilm [16 Jul 2008|08:39pm]

botkiller
Over this past weekend I had the pleasure of acting for Spork Films again, for the 48 hour film project.  It went quite well, I got to play a role I had some fun with.  If you want to check out the film, I suggest going to the 9:15 showing of the entries tonight at the KiMo theatre.  Vote for Sport Films, please!

Now some reviews:
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[16 Jul 2008|05:48pm]

venus_pentacle
[ music | I Like Birds (Eels) ]

Very sorry I've been so absent.
There are quite a few changes and things that require explaining currently happening, but I don't think that this is the place to do the explaining, somehow.

Maybe I'm done with LJ for a while??

Unsure.

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Tweets for Today [16 Jul 2008|05:12pm]

botkiller

  • 18:03 i just don't understand how some bands do it... #

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Tweets for Today [15 Jul 2008|05:08pm]

botkiller
  • 19:54 TWO gigs ofram in my macbook now. hell yeah #
  • 11:22 starting the day with Wu Tang, OH DAMN #
  • 11:42 vote me, would ya? tinyurl.com/6c3ed2 #
  • 13:54 the new beck album sounds pretty good... #
  • 15:33 ugh. making software installers is not as easy as it seems, kids. #
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Tweets for Today [14 Jul 2008|05:07pm]

botkiller

  • 10:13 awake, skyping, flickr-ing #

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[13 Jul 2008|09:37pm]

kjorteo
And just like that, Chocobo's Magical Dressup is out. I just ordered mine! (Though I got it Super Saver because I'm cheap like that. But still.)

Hold on to your beaks, everyone!

Edit: Customers who bought this item also bout Etrian Odyssey II: Heroes of Lagaard. I certainly have them both, and I love EO2 and expect great things from CMD, but...I really don't see the connection. I just attributed that to the same reason that I actually completed I Wanna Be the Guy and yet play Pokemon, which is that I'm just weird. Well, I guess they are both dungeon crawlers, but....
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The Agency Record Swap Review [13 Jul 2008|07:34pm]

botkiller
I just got back from the Agency's Record Swap, and I had a lot of fun at it. It was nice to walk in and see quite a few people at tables with their big boxes and stacks of vinyl set up, as well as record players, books, and various other wares for sale. Raven Chacon of SickSickSick distribution was there, with his mass of noise and experimental music in tow, as well as my friend Adric and his many boxes of vinyl. I walked away with about 15 new records, and I know I need to go down there next time with my own stuff to sell.

Which, speaking of which, this is a great venue for bands to come sell their music. Because it's not the flea market, people are actively searching for music, so your chances of selling are much better. I encourage musicians to consider coming out for the next swap, which will be the 2nd sunday of every month.
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Tweets for Today [13 Jul 2008|05:10pm]

botkiller
  • 13:22 today. dammit. I am going to start pushing harder than ever. PAY ATTENTION WORLD #
  • 14:28 going down to the Agency's Record swap #
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Tweets for Today [12 Jul 2008|05:11pm]

botkiller
  • 19:37 IT IS TIME TO EAT CHILE #
  • 11:44 Filming for spork films
    Brian #
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